Free preview · Disc-by-Disc
Sasha or Digweed? Two very different first discs in 1998
Global Underground 006: Sydney and 009: San Francisco are from the same year and the same compilation series. That doesn't make them the same listening experience. Digweed's Sydney begins with Fortunato & Montresor, Liquid Language and Pocket before the groove steadily gains weight. Sasha's San Francisco makes room for the drawn-out tension of Breeder's The Chain. One is a lesson in patient rhythmic programming; the other shows what happens when a DJ lets a record's pressure develop over time.
Try the first twenty minutes of each, back to back. You can hear the distinction without paying a penny. The Supporter guide compares the long middle, the closing stretches and the track-sequencing choices.
Free preview · The Complete Collection
Northern Exposure: why North and South aren't the same as East and West
Northern Exposure's North CD in 1996 begins with a long atmospheric stretch including Keiichi Suzuki in an Orb remix and The Future Sound of London. South draws the concept closer to the dancefloor. A year later Northern Exposure 2 moves to East and West Coast journeys: GusGus, Fluke and Hybrid on one side; Cygnus X, Humate, L.S.G. and Armin's Blue Fear on the other. The geography on the sleeves is more than a marketing device.
The entire four-disc listening route is available through the archive's public listening links, where recordings are verified. The Supporter guide goes into what changed in programming, edit lengths and the role of progressive breaks.
Free preview · The Lost Record Box
Medway — Resurrection: a club record that needs room to work
Medway's Resurrection arrived on Hooj Choons in 1998 and appears in Sasha's Global Underground 009: San Francisco sequence. It's not one of those records that explains itself with a chorus in the first minute. Much of the appeal is the subtle increase in pressure through a long, fairly restrained groove. If you only sample a loud section, you miss what the track was built to do.
The track's listening link is free. Supporter goes further: which version to look for, how to hear its place in Sasha's mix and what to check when you're buying a 12-inch of this period.
Free preview · The Night Behind the Mix
San Juan, 21 December 2002: Jimmy Van M and Chris Fortier
The Arena recording documents roughly an hour of Jimmy Van M and Chris Fortier playing back-to-back in Puerto Rico, on 21 December 2002. It captures a tougher, more rhythm-led American progressive sound than the one many fans associate with Northern Exposure or Renaissance. Some records are identified; two positions remain uncertain. That's not a reason to guess at a tracklist.
You can listen to the surviving recording without a TMA subscription. The deeper guide explains the DJs' Orlando roots, Fade and the different Balance ventures, while keeping the uncertainties explicit.
Free preview · Collector's Room · Updated October 2026
Before you pay collector prices for a Renaissance or GU CD
That £30 or £50 listing might be perfectly reasonable, or it might be the wrong edition, missing a disc or using the original sleeve photo for a later pressing. Start with the actual catalogue number, the number of discs and the package. Renaissance: The Mix Collection and John Digweed's Part 2 are separate three-disc releases; Nubreed 001 is not another numbered Global Underground city album. Those distinctions matter long before you discuss a price.
A useful price history needs verified completed sales of the exact edition, with date, condition, shipping and evidence. TMA isn't pretending to have numbers it hasn't verified. Supporters get the full checking method, edition-by-edition traps and buy/watch/skip decisions. The music itself remains free.
Free preview · Collector's Room
That £40 Renaissance CD listing might be missing a disc
A familiar sleeve in a marketplace search is not proof of a complete copy. Original Renaissance collections can have three discs; Global Underground titles commonly have two, and editions vary. You need photographs of the opened case, the disc faces and the booklet, not merely a stock cover image. Asking price is not the same as an actual completed sale.
The free My 9 gallery is an easy way to identify records you care about. The Supporter checklist offers a full edition-and-condition buying method to help you avoid missing discs, wrong pressings and duplicate purchases.